top of page

Artworks 

BASMAT LEVIN

Basmat Levin_Pattern#31.jpg_oil on canvas_41_x37_ - Basmat Levin (1).jpg

​
 

Basmat Levin

Untitled #31, 2022
Oil on Canvas
41 x 37

www.basmatlevin.com

@basmat.levin



About The Art
 

I started painting these patterns in Shanghai, but the inspiration is more a composition of places and experiences, my travels around the world, and my upbringing in in Jerusalem.

These patterns are a combination of colours and motifs that are all mixed together from my various homes and places I have loved.

EFRAT BALER - MOSES

Efrat Baler - Moses

Transplant, 2022
Mixed Media on Canvas and Plywood

56 x 27 x 5
https://www.efrat-art.com/

@ef4art

​

About The Art


Using canvas, plywood, and cloth, my work 'Transplant' unites and represents diverse origins. Dual hemisphere trees coexist on a single plane, reflecting adaptability and transformation. This metaphor highlights merged origins and adopted homelands, individuals in an unfamiliar land, embodying beauty and challenges as change converges in new environments.

Transplant - 1 _edited.png

GAL SEGALL

Gal Segall

Thrills, 2022
Acrylic on Canvas, Wood, and Gold Leaf
40 x 30
https://www.inspiredartny.com/about



About The Art


Reflect on the sense of uncertainty that lies ahead, remember that healing, strength, and reclaiming what's been lost are powerful guiding forces. Embracing these feelings will help fill the void of uncertainty with positivity and purpose.

OMER BEN - ZVI

Thrills_edited.png

LEE TAL

Omer Ben-Zvi

Chesed Shel Emes, 2021
Color Pencil, Ink, Markers, and Spray Paint on Paper
12 x 12 each
https://omerbenzvi.com/
@omerbenzvi



About The Art

See Below for more information  

Lee Tal The impression that I get_edited
Omer Ben-Zvi_Chesed Shel Emes, 2021, Color pencil, ink, markers and spray paint on paper,

Lee Tal

The Impression that I Get, 2022
Acrylic and Dirt on Canvas
48 x 1 1/2 x 36
https://www.leetalart.com/

@tal.ar



About The Art


This work was made as part of my fellowship project with the New York Foundation for the Arts and NYC art department. On Oct 14, 2021, I took 10F canvas and laid it down for 3 hours on the sidewalk in Madison square park NYC. With the goal that the pedestrian will walk on the canvas leave their footprints on the canvas as a reminder of the life and movement that accruing in the city. After my public performance activity, I painted native flowers that had naturally grown on the same block where I made the performance before it became an urban area.

LIRI AGAMI

Liri Agami

Don’t Look Back, 2022 Photography
16 x 20

https://www.liriagami.com/

@liri_agami



About The Art


A heavy fog over the mountains of Kashmir.

MICHAL NACHMANY

Liri Agami.jpg
MichalNachmany_LongingsToMyJerusalemChil

Michal Nachmany

Longings to Jerusalem, 2017
Mixed Media
22 x 32
https://www.michalnachmanyart.com/

@MzMotek



About The Art


The central image is my dress made of a page taken from a British Mandate passport. It reminds me of my grandfather, a poor orthodox Polish Jew who in 1932 decided ‘This year, not next, in Jerusalem.’ There my father grew up motherless. My longings to my parents, my childhood, my Jerusalem, are endless.

NOY FINER

Noy Finer

Windows in Space, 2018
Digital Image
24 x 36
noyfiner.com
@noyfiner_photography


About The Art


Color is an integral aspect of our existence that influences how we communicate, interact with one another, and experience life. Simultaneously, the urban landscape is using color in a communicative and functional way, with ever-evolving fascinating forms and shapes. In my work, I strive to blend these forces, infusing vibrant hues and urban styles in an attempt to transform spaces.

Windows_In_Space-Noy Finer.jpg

OMER KAPLAN

Kippy, Wedgwood 1948.jpg

Omer Kaplan

Kippy, Wedgwood , 1948, 2023
Archival Photograph, Paint, Fishing Wire, and Wax
24 x 24
www.omerkaplan.net
@omerkesemkaplan


About The Art


Men from the artillery corps on the Wedgwood navy ship under the command of my grandfather Aryeh Kippy Kaplan, who brought Maapilim, holocaust survivors, to Israel. In my project 8XXXX68, I use collage to address feelings of anxiety and trauma around my IDF service through my personal archive.

SHANI NIZAN

Shani Nizan

Yaen, 2022
Pen on Paper
27 5/8 x 37 1/2
Shaninizan.com

@Shani.Nizan



About The Art


As an expatriate from Israel, Nizan found herself observing a new city and herself within it. The “jungle” that is New York City was an extreme change from the small village community where Shani grew up in. In her choice to use simple Bic pens and high-quality paper, as well as thin and aggressive pen strokes, she symbolizes an initial reflection of city life extremes: wealth and poverty, beauty and ugliness, order and chaos going together side by side and creating the art piece that is New York. The un-proportional creatures placed in everyday New York City scenes are suggestive of the inevitable need to adapt to a new social environment. This way, the viewer can feel that they are either observing the city from a high point of view or trying to find their place in it. As she mentioned in her statement, Shani always keeps a childish innocent atmosphere as the frame of the content in her artwork. Originally, this exhibition was called “Wishful Thinking” to create a visual fantasy that is typical to a child, where the artist is wishing her creatures to get big in their new home, New York.

Screen Shot 2023-09-16 at 7.06.22 PM.png

NETANEL SASO

FANNY BEN BARUCH

05360019-1.jpg

Netanel Saso

@Shani.Nizan

She Forgot My Name, 2020 Photography
36 x 24
Netanelsaso.com
@netanelsaso



About The Art


Often creating autobiographical work, this is a photograph taken outside her grandfather's home in Israel with a double exposure of a found photo of her grandmother standing at the gate where she last saw her before her passing.

SHARON YAVO - AYALON

Sharon Yavo - Ayalon

Dehydrated, 2022
Metal, Wire, and Paint
18-inch diameter X up to 90-inch length
https://www.sharonayalon.co/
@shayavo



About The Art


Dehydrated, marine creatures hang like withered laundry, their stillness echoing the vitality they once possessed. Through manipulation of light and shadow, the artist resurrects a semblance of their past life, prompting viewers to contemplate the transient nature of existence in the underwater realm.

Screen Shot 2023-09-16 at 7.13.42 PM.png

FANNY BEN BARUCH

Sweet Ride.jpeg

Fanny Ben Baruch

Sweet Ride, 2023
Acrylic on Canvas
24 x 24
@fannybenart



About The Art


This painting has undergone multiple iterations and progressed through various stages. By permitting myself to play and explore, I am adding to the artwork the depth and texture I’m looking for in a painting. Typically, I begin painting without concrete plans; instead, I listen to my heart and intuition and stop only when I am satisfied.

OMER BEN - ZVI

Omer Ben-Zvi

Chesed Shel Emes, 2021
Color Pencil, Ink, Markers, and Spray Paint on Paper
12 x 12 each
https://omerbenzvi.com/
@omerbenzvi



About The Art

 

Omer Ben-Zvi_Chesed Shel Emes, 2021, Color pencil, ink, markers and spray paint on paper,
Screen Shot 2023-10-02 at 2.24.45 PM.png
Screen Shot 2023-10-02 at 2.24.51 PM.png
Screen Shot 2023-10-02 at 2.24.57 PM.png
bottom of page